{"id":3304,"date":"2023-09-11T17:00:39","date_gmt":"2023-09-11T17:00:39","guid":{"rendered":"https:\/\/laserre.ca\/?post_type=artistes-recherche&#038;p=3304"},"modified":"2023-10-19T15:48:07","modified_gmt":"2023-10-19T15:48:07","slug":"nindy-banks","status":"publish","type":"artistes-recherche","link":"https:\/\/laserre.ca\/en\/artists-research\/nindy-banks\/","title":{"rendered":"Nindy Banks"},"content":{"rendered":"<div id='av_section_1'  class='avia-section av-8xz2rv-38ca72e158275dfac29c24a8283036a6 main_color avia-section-default avia-no-border-styling  avia-builder-el-0  el_before_av_section  avia-builder-el-first  avia-bg-style-scroll container_wrap fullsize'  ><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-3304'><div class='entry-content-wrapper clearfix'>\n<section  class='av_textblock_section av-7pkcrf-e0a7b3bf910a241e767e5fb2622859f6 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h1><span class=\"ls-page-titre\">Nindy Banks<\/span><\/h1>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lnxcpvhw-0de08a0d76cff6677ba6eff2aac6bf1b\">\n.avia-image-container.av-lnxcpvhw-0de08a0d76cff6677ba6eff2aac6bf1b img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-lnxcpvhw-0de08a0d76cff6677ba6eff2aac6bf1b .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-lnxcpvhw-0de08a0d76cff6677ba6eff2aac6bf1b av-styling- avia-align-center  avia-builder-el-2  el_after_av_textblock  el_before_av_textblock  ls-home-top-image'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-3570 avia-img-lazy-loading-not-3570 avia_image ' src=\"https:\/\/laserre.ca\/wp-content\/uploads\/2023\/10\/Credit-Phan-Hoi-Do.jpeg\" alt='' title='Credit - Phan Hoi Do'  height=\"427\" width=\"640\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/laserre.ca\/wp-content\/uploads\/2023\/10\/Credit-Phan-Hoi-Do.jpeg 640w, https:\/\/laserre.ca\/wp-content\/uploads\/2023\/10\/Credit-Phan-Hoi-Do-300x200.jpeg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/div><\/div><\/div>\n<section  class='av_textblock_section av-lnxcq1vf-be0c6de464dae45fc54d0effe6ec1def '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock ls-font-50'  itemprop=\"text\" ><p><span style=\"font-weight: 400;\">This first research project was born from a love for Hip Hop culture and for fashion. With her dance practice rooted in freestyle and her collaborations with various choreographers, Nindy has developed a particular interest in the body as a vehicle of emotions and sensations, but also as an expression of identity. A return to studies nourishes her reflection on the impact of fashion on identity and artistic expression. What would result from a creative process during which particular attention would be paid, from the beginning of a process, to clothes and their effects on the body in motion?\u00a0 \u00a0 <\/span><\/p>\n<\/div><\/section>\n<section  class='av_textblock_section av-lnxcscqk-2a9dcc5d75177eb03f3d288bfe1fb58a '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock ls-artiste-liens'  itemprop=\"text\" ><p><a class=\"ls-artiste-lien ls-artiste-instagram\" href=\"https:\/\/www.instagram.com\/alegriagobeil\/?ref=buffer.com\" target=\"_blank\" rel=\"noopener\">Instagram <\/a><a href=\"https:\/\/www.facebook.com\/nindy.banks\">Facebook<\/a><\/p>\n<\/div><\/section>\n<\/div><\/div><\/main><!-- close content main element --><\/div><\/div><div id='av_section_2'  class='avia-section av-65ywaj-d6f70fe74de6c26d0a0f20ed2e4c9349 main_color avia-section-default avia-no-border-styling  avia-builder-el-5  el_after_av_section  avia-builder-el-last  avia-bg-style-scroll container_wrap fullsize'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-3304'><div class='entry-content-wrapper clearfix'>\n<section  class='av_textblock_section av-lnxcq8x5-ac894ed98b79f18a3348c1175827b54f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock ls-font-100'  itemprop=\"text\" ><p><span style=\"font-weight: 400;\">Material Girl<\/span><\/p>\n<\/div><\/section>\n<div class='flex_column_table av-3r9ywb-0fee394ab67845b6c4f906102268afd0 sc-av_one_full av-equal-height-column-flextable'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-3r9ywb-0fee394ab67845b6c4f906102268afd0\">\n.flex_column.av-3r9ywb-0fee394ab67845b6c4f906102268afd0{\nwidth:100%;\nmargin-left:0;\n}\n#top .flex_column_table.av-equal-height-column-flextable.av-3r9ywb-0fee394ab67845b6c4f906102268afd0 .av-flex-placeholder{\nwidth:0%;\n}\n<\/style>\n<div  class='flex_column av-3r9ywb-0fee394ab67845b6c4f906102268afd0 av_one_full  avia-builder-el-7  el_after_av_textblock  el_before_av_one_full  ls-font-28 first flex_column_table_cell av-equal-height-column av-align-top  column-top-margin'     ><section  class='av_textblock_section av-lnxcqeem-c725177e7977933cdb9cf82274c56fbd '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock ls-deux-colonnes-suivi'  itemprop=\"text\" ><p><span style=\"font-weight: 400;\">In the field of dance, where the body is the main tool of communication, Nindy Banks believes it is all the more important to understand the influence that clothing has on the body, on our self-perception and on the way which others perceive us. According to the concept \u201cenclothed cognition\u201d, clothes have an influence on the psychological processes of the person who wears them. They give us the power to create and perform our multiple personalities. The gestures, attitudes, postures and \u2013 in the context of her artistic practice \u2013 the movement that accompany the wearing of clothing are decisive in the information communicated. Through this project, Nindy seeks to analyze the relationship between her different dress codes and her movement in order to shed light on the psychological concept of self-image. How do different clothes or clothing styles affect self-perception? How does this information translate into movement?<\/span><\/p>\n<\/div><\/section><\/div><\/div><!--close column table wrapper. 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