{"id":863,"date":"2022-02-22T14:09:05","date_gmt":"2022-02-22T14:09:05","guid":{"rendered":"https:\/\/laserre.ca\/artistes-recherche\/olivier-arteau\/"},"modified":"2022-03-01T01:22:24","modified_gmt":"2022-03-01T01:22:24","slug":"olivier-arteau","status":"publish","type":"artistes-recherche","link":"https:\/\/laserre.ca\/en\/artists-research\/olivier-arteau\/","title":{"rendered":"Olivier Arteau"},"content":{"rendered":"<div id='av_section_1'  class='avia-section av-2aunns-bdf1ee0c51945779724aa5085ef2221b main_color avia-section-default avia-no-border-styling  avia-builder-el-0  el_before_av_section  avia-builder-el-first  avia-bg-style-scroll container_wrap fullsize'  ><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-863'><div class='entry-content-wrapper clearfix'>\n<section  class='av_textblock_section av-24yhjk-c4efb510ebc833c2a58d2d55c1d284a7 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h1><span class=\"ls-page-titre\">Olivier Arteau<\/span><\/h1>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kzy76m0f-dbac67ce5830c5d919ee2c473abfc68d\">\n.avia-image-container.av-kzy76m0f-dbac67ce5830c5d919ee2c473abfc68d img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kzy76m0f-dbac67ce5830c5d919ee2c473abfc68d .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-kzy76m0f-dbac67ce5830c5d919ee2c473abfc68d av-styling- avia-align-center  avia-builder-el-2  el_after_av_textblock  el_before_av_textblock  ls-home-top-image'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-862 avia-img-lazy-loading-not-862 avia_image ' src=\"https:\/\/laserre.ca\/wp-content\/uploads\/2022\/02\/Photo_Olivier-Ateau_Credit-Valerie-Remise_4-960x1200.jpg\" alt='Olivier Arteau - La pudeur des urinoirs' title='Photo_Olivier Ateau_Cr\u00e9dit Val\u00e9rie Remise_4'  height=\"1200\" width=\"960\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/laserre.ca\/wp-content\/uploads\/2022\/02\/Photo_Olivier-Ateau_Credit-Valerie-Remise_4-960x1200.jpg 960w, https:\/\/laserre.ca\/wp-content\/uploads\/2022\/02\/Photo_Olivier-Ateau_Credit-Valerie-Remise_4-720x900.jpg 720w, https:\/\/laserre.ca\/wp-content\/uploads\/2022\/02\/Photo_Olivier-Ateau_Credit-Valerie-Remise_4-360x450.jpg 360w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/div><\/div><\/div>\n<section  class='av_textblock_section av-kzy77efx-5f695220c267a15bbdaa659aadf7349c '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock ls-font-50'  itemprop=\"text\" ><p>Olivier Arteau is an LGBTQIA2+ community-based artist of white colonial descent who explores the combination of kitsch, bouffon and tragedy. After training in theatre at Conservatoire d\u2019art dramatique de Qu\u00e9bec, he is currently pursuing a Master\u2019s degree in dance studies at UQAM for which he explores masculine hegemony and gender identity in today\u2019s society through a performative approach.<\/p>\n<\/div><\/section>\n<section  class='av_textblock_section av-kzy7874b-1df0a251f0f7df9fd58b484c4b9c2a89 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock ls-artiste-liens'  itemprop=\"text\" ><p><a class=\"ls-artiste-lien ls-artiste-siteweb\" href=\"https:\/\/theatrekata.com\/\" target=\"_blank\" rel=\"noopener\">Site web<\/a><a class=\"ls-artiste-lien ls-artiste-instagram\" href=\"https:\/\/www.instagram.com\/oarteau\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a><a class=\"ls-artiste-lien ls-artiste-facebook\" href=\"https:\/\/www.facebook.com\/olivier.arteaugauthier\" target=\"_blank\" rel=\"noopener\">Facebook<\/a><\/p>\n<\/div><\/section>\n\n<\/div><\/div><\/main><!-- close content main element --><\/div><\/div><div id='av_section_2'  class='avia-section av-1xg8dk-b3eeefc198366812d4cebc8186b3217a main_color avia-section-default avia-no-border-styling  avia-builder-el-5  el_after_av_section  avia-builder-el-last  avia-bg-style-scroll container_wrap fullsize'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-863'><div class='entry-content-wrapper clearfix'>\n<section  class='av_textblock_section av-kzy78yyc-6e82f96cb15ff3addb147990cca45363 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock ls-font-100'  itemprop=\"text\" ><h2 class=\"center\">Les Ultraviolettes<\/h2>\n<\/div><\/section>\n<div class='flex_column_table av-1tbnm0-5dd916260995c54714aa032f83fa761c sc-av_one_full av-equal-height-column-flextable'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1tbnm0-5dd916260995c54714aa032f83fa761c\">\n.flex_column.av-1tbnm0-5dd916260995c54714aa032f83fa761c{\nwidth:100%;\nmargin-left:0;\n}\n#top .flex_column_table.av-equal-height-column-flextable.av-1tbnm0-5dd916260995c54714aa032f83fa761c .av-flex-placeholder{\nwidth:0%;\n}\n<\/style>\n<div  class='flex_column av-1tbnm0-5dd916260995c54714aa032f83fa761c av_one_full  avia-builder-el-7  el_after_av_textblock  el_before_av_one_full  ls-font-28 first flex_column_table_cell av-equal-height-column av-align-top  column-top-margin'     ><p><section  class='av_textblock_section av-kzy79dp8-b1ad805a463ac9ede46117019a3e239d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock ls-deux-colonnes-suivi'  itemprop=\"text\" ><p><em>UltraViolettes<\/em> is an attempt to account for what is elusive, through the sampling of silent phenomena such as desire, putrefaction, and sunsets over a period of several months. Led by Olivier Arteau in collaboration with Fabien Pich\u00e9, this process questions the materiality of happiness, the intangibility of pain and the invisibleness of unusual natural or human realities.<\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-kzy7b7st-4315c7e09dbe17c014794941d5a09d10 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock ls-deux-colonnes-suivi'  itemprop=\"text\" ><p><em>\u201cIt may be the birth of a slow-rhythmed music band, an exhibition without picture frames or a quiet performance. Auto-indefinition exercise for bewildered researchers. Since there\u2019s nothing more treacherous than certainty.\u201d<\/em><\/p>\n<\/div><\/section><\/p><\/div><\/div><!--close column table wrapper. Autoclose: 1 --><div  class='flex_column av-4qyzc-97e6db0878969d690edf2d13fd5d74e9 av_one_full  avia-builder-el-10  el_after_av_one_full  el_before_av_one_half  first flex_column_div  column-top-margin'     ><\/div><div  class='flex_column av-14frao-eb71a059b91c60f2b381a7e328724fbb av_one_half  avia-builder-el-12  el_after_av_one_full  el_before_av_one_half  ls-font-28 first flex_column_div  column-top-margin'     ><p><section  class='av_textblock_section av-ybf74-72e72743c298398dccb4be55569767d6 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock ls-artiste-credits-titre'  itemprop=\"text\" ><p>CREDITS<\/p>\n<\/div><\/section><br \/>\n<div  class='togglecontainer av-2m7v4-04f888bcbf6c32e91d256e5d98a45e30  avia-builder-el-14  el_after_av_textblock  avia-builder-el-last  toggle_close_all' >\n<section class='av_toggle_section av-nivjk-0dfda9de9095af1b39541975d89171a1'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p data-fake-id='#toggle-id-1' class='toggler   '  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-1'>Team<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-1' class='toggle_wrap  '  ><div class='toggle_content invers-color '  itemprop=\"text\" ><p>Creation<br \/>\nOlivier Arteau<\/p>\n<p>In collaboration with<br \/>\nFabien Pich\u00e9<\/p>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-dwxu8-3199770f978dce7cd4b16880fc1091e6'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><p data-fake-id='#toggle-id-2' class='toggler   '  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-2'>Creations<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-2' class='toggle_wrap  '  ><div class='toggle_content invers-color '  itemprop=\"text\" ><p><em>La pudeur des urinoirs<\/em>\u00a0(performance), 2021<\/p>\n<p><em>Ce qu&#8217;on respire sur Tatouine\u00a0<\/em>de Jean-Christophe R\u00e9hel, 2021-2022<\/p>\n<p><em>Foreman\u00a0<\/em>(co-mise en sc\u00e8ne de Marie-H\u00e9l\u00e8ne Gendreau) de Charles Fournier, 2019-2021<\/p>\n<p><em>Antigone\u00a0<\/em>de Pascale Renaud-H\u00e9bert, Rebecca Deraspe et Annick Lefebvre, 2019<\/p>\n<p><em>Made in Beautiful<\/em>, 2018-2022<\/p>\n<p><em>Le sang de Michi\u00a0de Franz-Xaver Kroetz<\/em>, 2016<\/p>\n<p><em>Doggy dans Gravel<\/em>, 2016-2018<\/p>\n<\/div><\/div><\/div><\/section>\n<\/div><\/p><\/div><div  class='flex_column av-a7cfc-9a292fc0f7554608c126a871160130b8 av_one_half  avia-builder-el-15  el_after_av_one_half  avia-builder-el-last  flex_column_div  column-top-margin'     ><\/div>\n","protected":false},"featured_media":858,"template":"","class_list":["post-863","artistes-recherche","type-artistes-recherche","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - 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