Peng Hsu

Gee Gee Gee, Deodorant, and Say Yes When You Get Married explores BBR as linguistic phenomena that has the potential to become embodied research-practice. The ensemble will explore the moving from written text and spoken word to a dancing body. It is in dance that we propose BBR as possessing a sort of affective rhythm or tempo that can be translated into a movement and acting approach. This approach moves never-ending text into the body, building a technique of on-and-on-ness in which the dancer and the actor shifts endlessly from one movement to the next, no movement carrying more value than the other.